I have grown up with and been shaped by the digital revolution. My art reflects this reality.
The speed of this change and breadth of influence that technology has on our day-to-day lives provides the context for most of my photography.

 

My work focuses on the interface of humans in a computer-enhanced world. I use photography, digital manipulation, and lenticulars to depict our lives in this changing world. With traditional photographs and digital collage, I create scenes derived from the fears and desires evoked by an ambivalent dependence on the very technology that has made possible the tools I use to create
my art. Lenticulars allow me to interlace multiple photographs together to create the effect of
motion. This enhances the feeling of mechanical rhythm and routine that I see around me.

 

My images are greatly influenced by the way the media, the fashion industry, and commercial
design present new innovations as desirable and progressive. I see a future consumed by technology as potentially sterile, lonely, and monotonous. In most of my work, I create costumes
and use myself as a model. This allows me to experience my fantasies and fears first hand. I am influenced by the array of iPod cords on the subway, cafes filled with singles connected to their laptops, couples walking together but in different cell phone worlds, and the repetition of our
everyday routine. My intent is to create seemingly perfect, hyperreal images that explore the dichotomy that digital devices may create, and how this affects our everyday life.